kottke in buffalo - this thursday

[DevO]

Yes that's right, Leo Kottke will be playing at The Tralf in Buffalo this Thursday, April 15th.

18+

8pm

$22 (US) at the door

Innovative acoustic guitar virtuoso Leo Kottke settled in the Twin Cities area and becoming a fixture on the city's folk club circuit, he issued his 1969 debut LP Twelve String Blues, recorded live at Minneapolis' Scholar Coffee House, on the tiny Oblivion label. After sending 1970's Circle 'Round the Sun to guitarist John Fahey, Kottke was signed by Fahey's manager Denny Bruce, who soon secured a deal with Capitol. Kottke's 1971 major-label debut Mudlark positioned him somewhat uneasily in the singer/songwriter vein, despite his own wishes to remain an instrumental performer; in the liner notes to 1972's 6- and 12-String Guitar, issued on Fahey's Takoma label, he even described his own voice as "geese farts on a foggy day." Still, despite battles with label heads as well as with Bruce, Kottke flourished during his tenure on Capitol, as records like 1972's Greenhouse and 1973's live My Feet Are Smiling and Ice Water found him branching out with guest musicians and unusual song covers drawing on folk, rock, jazz and bluegrass, all the while honing his propulsive finger-picking mastery. With 1975's Chewing Pine, Kottke reached the U.S. Top 50 for the first time; he also gained an international cult following thanks to his performances at folk festivals the world over. With his 1976 self-titled release, he moved to the Chrysalis label, although sales diminished for LPs including 1978's Burnt Lips, 1979's Balance and 1980's Live in Europe. After 1983's T-Bone Burnett-produced Time Step, Kottke's contract with Chrysalis ended, and he moved over to the independent Private Music label. Kottke's powerful technique, combined with his prolific output and extensive touring schedule, resulted in a lingering pain in his hands which began to hamper his playing in the middle of the 1980s. Consequently, the beginning of his tenure on Private Music coincided with the beginnings of a shift in technique closer to classical guitar performance; he also slowed his productivity, and after 1986's reflective A Shout Towards Noon he did not re-enter the studio before recording Regards From Chuck Pink in 1988. Simultaneously, Kottke cut back dramatically on his live schedule, settling comfortably into his role as a cult figure. He released an album annually from 1989 to 1991, following My Father's Face with That's What and finally Great Big Boy, which featured a guest appearance from Lyle Lovett. Two years later, Kottke returned with Peculiaroso, which featured production by Rickie Lee Jones. One Guitar No Vocals followed in 1999, but it was his collaboration with Phish bassist Mike Gordon, Clone, that caught audiences' attention in 2002.