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PassedOutGuy

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New Riders Of The Purple Sage, 10/19/07, Donegal Saloon, Kearny, NJ

Disc One, I Set

01. tuning, introduction

02. I Don’t Know You

03. Casey Jones The Bold Engineer

04. Lochinvar

05. Garden Of Eden, The Last Time, Garden Of Eden

06. You Angel You

07. Truck Drivin’ Man

08. Henry

09. Peggy-O

10. Louisiana Lady

Disc Two, II Set

01. tuning

02. Minglewood Blues

03. Sunday Susie

04. Higher

05. Contract

06. Death And Destruction

07. Crooked Judge

Disc Three, II Set con’t

01. tuning

02. Rainbow

03. Panama Red

04. Any Naked Eye

05. Take A Letter Maria

06. * Ripple

sbd>sbm-1>Sony pcm-m1>cdr, recorded by Steven T.

eac>cdwav>traders little helper>flac

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I'm pleasantly surprised that the late great Junior Kimbrough has a myspace page. He may not be the most famous or influential North Mississippi Delta Blues artist (see: Mississippi Fred McDowell and R.L. Burnside), but he's the best and the scariest. The Black Keys and North Mississippi Allstars wouldn't be here today without him. Enough pontificating; turn this mother up:

http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=69258964

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Talking Heads w/ Adrian Belew

December 1980

"Live in Rome"

DVD Pro-Shot

Another great show from the Adrian Belew era of the Talking Heads. The filming is much different than the Germany show from the same tour, this is much more in your face and the Italians use

many different and interesting camera angles.

Source: Direct capture to the harddrive of the May 2005 rebroadcast on Italian

TV. PAL format (Native format of original video source) - except for "The Great

Curve", which was not included in the rebroadcast.

Video Capture/ Restoration/ Remastering: OSKY Productions

DVD Authoring: Silver Stallion DVD Production

intro

psycho killer

stay hungry

cities

i zimbra

drugs

take me to the river

crosseyed and painless

life during wartime

houses in motion

born under punches

the great curve

Screeshot:

pdvd004ep0.png

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http://concerts.wolfgangsvault.com/concertdetail.aspx?id=1275|4791

4791.jpg

Miles Davis

Tanglewood

Lenox, MA

08/18/1970

Tracks: 8

Total Time: 43:31

Miles Davis - trumpet

Gary Bartz - soprano and alto sax

Chick Corea - electric piano

Keith Jarrett - organ, electric piano

Dave Holland - electric and acoustic bass

Jack DeJohnette - drums

Airto Moriera - percussion

Other than his appearance at the Isle of Wight Festival later this same month, this Tanglewood performance was possibly the largest audience that Miles Davis had encountered up to this point. His extraordinary band, containing many soon to be legendary musicians, was all deeply immersed in the early experiments into electric instrumentation. This incendiary performance captures Miles embracing a rock dynamic in his music that was more electric, more funky, more rhythmic, and simply more "out there" than anything that had proceeded it.

Much of the material performed this night derives from Miles' studio sessions during the groundbreaking In a Silent Way and Bitches Brew album sessions. Because the performance remains one long continuous suite, it allows one to follow the flow and logic of the music over an extended period of time. This continual flow, devoid of announcements identifying the songs, often left critics and some listeners confused, but focused listening reveals that distinct changes are taking place. Miles is thoroughly in control of the musical direction at all times, whether he is in the forefront or not. Miles guides the music back to particular vamps or themes, continually bringing focus to the group improvisations. The swift and agile response of the musicians to Miles' cues and coded phrases is truly remarkable and is a primary reason for the relentless intensity of this music.

Apart from the set ending cue of "The Theme," little of this music derives from Miles' jazz period, nor does it fall into the free jazz category that it is so often mistakenly associated with. This music is much funkier, often comprised of deep, one-chord, cyclical grooves that have little in common with jazz. As he had done several times in the past, Miles was forging into uncharted territory and creating a shift in modern music that would influence countless musicians.

The audience seemed to recognize and appreciate this and they achieve the rare occurrence of bringing Miles back to the stage for an encore (something that rarely ever happened during this era). The encore, a rather short, focused take on "Miles Runs the Voodoo Down," features Corea playing the main riff like a hard rock musician, with Holland's deep bluesy bass line and the rest of the group's dynamic falling somewhere between Led Zeppelin and Jimi Hendrix - and they achieve this without any electric guitars!

While sometimes difficult, often challenging and unquestionably intense, this night's performance is one of the most intriguing of Miles' lengthy career. It's one of those rare performances with boundless depth that continually rewards repeated listening.

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Bob Dylan

John Bucklen Tape

Hibbing, MN,

1958

1. Friendship In Music 01:21

2. Hey Little Richard 00:29

3. Johnny Cash 00:26

4. A Good Place To Leave 00:45

5. Best Kind Of Music 00:27

6. Talent show at school, Buzz Buzz Buzz (Gray/Byrd) 01:23

7. Jenny Jenny/Ten Million In A Week (Johnson/Penniman/Crew) 00:47

8. Scotty Moore 00:54

9. Blue Moon (Lorenz Hart/Richard Rogers) 00:52

10. Elvis Presley 00:58

11. Bass Player 01:39

12. Echo 00:35

13. Underground Folk Music 00:35

14. Bob Dillon 00:55

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