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  1. Today
  2. You are correct sir and your prompt to explain what that quote means is required .....thank you DB2.0 once again for pointing out that my intended messages either get lost or misconstruedly misunderstood......... The Grateful Dead hit their highest of heights, from my perspective, prior to their hiatus at the end of 1974. "water fallen" in the above context refers to them as slowly dripping downwards, like a waterfall, while "crestmark" points to them having still maintained a peak that had been developed a few years prior. Having said that, any Deadhead will give you their opinion on when all of that happened. Luckily for us fans, they kept having some amazing shows/tours after that point. I could have simply wrote "it was the beginning of the end" but that wouldn't be accurate to how I feel while also sounding too Simple.
  3. Yesterday
  4. read that as Strip Club - Guelph and I thought that you guys were really coming into your own (especially as it's No Cover)
  5. I like the idea but it'll all be way-too-over-my-head
  6. Saturday May 25 Must Stash Hat live at Sip Club 91 Wyndham st N Guelph 10pm-2am No Cover
  7. Last week
  8. https://writersfestival.org/events/spring-2019/one-on-one
  9. The new Trey movie is playing once - July 17th - at a bunch of theatres, including a lot in Canada. For Ottawa folks, Dan Lyons has extras he's trying to sell. https://www.betweenmeandmymind.com/tickets/?campaign=USA_BMM_MailChimp_SANSA
  10. Well said. I kind of forgot about stuff like that. He did move around a lot at times. Band was always on it.
  11. Woohoo! Percy Hill will be at Peach Fest this summer!!! Been so so long
  12. Just looked and my dictionary doesn't contain " water fallen crest-mark " ¯\_(ツ)_/¯
  13. I have hearing issues, for a variety of reasons, but one of them is having experienced said Jeff Healey's trio at Stages in Kingston 4ish times.My ears would ring for days. One of the main musically visual memories that hits hard, for all the bands I have seen, was the bass player using the neck of his guitar to direct Jeff back to his seat after he would get so amped up he would fly off his chair and start jumping around like something out of Planet Of The Apes. None of that ever felt like a shtick. It was beautifully intense.Jeff Healey opened the ideal of seeing as much live music as I could @foreverindebted
  14. They were as tight as they got with 2 drummers but for my tastes, I always preferred the solo Billy years. 77 was a very strong year for Jerry, Phil and Bobby. Having said that, said trio were the band once one looks back at it with a discernible ear, minus the Pigpen driven years. The Dead evolved throughout their career but 1977 was a water fallen crest-mark even I wont argue. Guaranteed it would have been a year I would have bitched about had I gone through it while seeing live shows. "What is this bullshit? Where did the exploration go?"
  15. Wook falls over from doing nitrous..... check Mark Wilson sings a sweet tune by The Band..... check Bi decade Scotty Farmer sighting..... check Fatcats on the main stage on a Saturday night..... check Naked chick tripping balls and freaking out on Sunday at 10am..... check 20th Spring Come Together Music Festival complete..... check.
  16. Haha, yeah, the good olde days indeed! I'll PM you my cell# and we be #havinbeers!
  17. {{{{{{{ virtual hugs, buddyboy! }}}}}}}} we should work out a good old fashioned Skank meatup for Phish. On a related note, Catphish and I were headed to....I think a Burt show in TO..... yeeeeaaaaars ago now, we overheard someone on the street saying "What's you're handle on Jambands.ca?" ye good olde days
  18. Earlier
  19. I just got booked on this killer show in NYC, anyone want to road trip with me down to it? FRIDAY, JUNE 14TH, 2019 ZAPP FutureType $20.00 TICKETS DOORS: 6:00 PM / SHOW: 8:00 PM This event is 21 and over ZAPP Website Facebook Twitter Zapp unleashes funky, high-energy music with a contagious groove built for dancing, loving and good times. Made up of masterful musicians who have been getting down together since the late 1970s, the group’s sizzling chemistry can be attributed to the fact that it has always been a joyful family affair. The band started with Lil Roger and Lil Lester in 1962, which became Lil Roger and His Fabulous Vel's, grew into Roger and the Human Body from 1974-1978, then became a full-fledged movement as Zapp. Now bandleader Lester Troutman, Sr. (drums), Terry “Zapp” Troutman (talkbox/keyboards/bass), Bart Thomas (talkbox/vocals/keyboards/bass), Dale DeGroat (musical direction/keyboards/vocals), Thomas Troutman (keyboards/vocals), Riccardo Bray (guitar) and Anthony Arrington (sax) join to carry on the legacy of a tight-knit group of expert players and funk, soul and party band pioneers. Vibrating with moog bass, electrifying guitar riffs and fresh, clever lyrics, the tight-knit group’s songs demonstrate a wicked sense of humor and an unmatched ability to tell colorful stories and write solid, memorable hooks. Zapp members’ layered recordings and boisterous, Las Vegas-style live shows have always established them as trailblazers in both songwriting and showmanship. In the tradition of stylish masters such as James Brown, George Clinton, Stevie Wonder and Sly Stone, Zapp continues to both inspire and draw inspiration from hot acts like Daft Punk, The Black Eyed Peas and Justin Timberlake. Since Zapp’s beginnings, its heartbeat has always been the vibrant imagination of the three Troutman Brothers – older brother Larry and two younger brothers Roger and Lester – who jammed together before becoming a quartet called Roger and the Human Body. This early quartet included the duo of Roger and Lester, Ralph Shepard and Chris Croom, whose premiere recording experience was with Capitol Records in 1975- 1976, when they worked on Sun’s debut album as well as the debut of Roger and the Human Body. Hired as studio musicians, Roger and Lester were fundamental to both projects and had already been experimenting with the talkbox just as it was first gaining fame thanks to mega stars like Stevie Wonder, Peter Frampton and Earth, Wind & Fire. In 1978, Roger, Larry, Lester and Terry went into the studio with renowned bassist, singer and songwriter Bootsy Collins to record an album and were discovered by P- Funk’s legendary leader George Clinton, who encouraged them to name themselves “Zapp” in honor of Terry’s snappy nickname. In 1980, the four original Zapp members released their self-titled debut, co-produced by Collins, on Warner Bros Records. Released that summer, Zapp became a platinum success, peaking at the Top 20 of the Billboard Top 200 thanks to the hip-shaking hit single, “More Bounce to the Ounce,” written by Roger. This triumph led to a major tour with the Commodores Zapp’s dazzling rise persisted, piloted by Roger, who was the band’s producer, chief writer, arranger and composer and invented brand-new ways to use the talkbox that distinguished recordings. Within five years, the band scored a number of top-ten R&B hits: “Doo Wa Ditty,” I Can Make You Dance,” Heartbreaker,” ballads “Computer Love” and a cover of The Miracles’ “Ooo Baby Baby.” 1982’s “Dance Floor, Part 1” hit #1 on the R&B chart, with Roger’s solo numbers, “I Want to Be Your Man” and a cover of “I Heard it Through the Grapevine” also scoring big. By 1985, the group had amassed more than four gold records and was drawing huge audiences worldwide. In 1983, Zapp’s star was still bright, and Roger was introduced to the R&B legend Shirley Murdock, who auditioned for him and was instantly welcomed into the group in 1984. She toured with the band throughout 1985, the same year, Roger Lester and the rest of their production crew commandeered Shirley’s debut album, which made her an instant platinum sensation. Over the course of the past 30 years, Zapp’s and Roger’s music has been sampled hundreds of times by artists around the globe, which has kept the band’s buzz going strong. Zapp’s music has had a profound effect on west coast hip-hop, featured in songs by Jay Z, Lil’ Kim, Snoop Dogg, Xzibit, Ice Cube and many others. In 1995, Roger collaborated with 2Pac and Dr. Dre on the smash hit “California Love.” It became 2Pac’s best-known song and his most successful, reaching #1 on the Billboard Hot 100 and nominated for a posthumous Grammy Award as Best Rap Performance by a Duo or Group (with Roger and Dr. Dre) in 1997. For over 30 years, Zapp has played in small clubs, venues and huge stadiums alongside massive legends such as Rick James, Cameo, The Time, Prince and mentor George Clinton. Though Roger sadly passed away in 1999, the thrilling Zapp legacy lives on, fueled by his original creative spirit, with the hard-working, fearless current lineup still cooking up crafty new material and playing to throngs of jumping fans. FUTURETYPE Website Twitter Instagram FutureType is an organic-electronic live band led by composer/producer Miles Felix, singer-artist Chris Bruffee, and rapper DJC. These longtime friends -- natives of Los Angeles, Brooklyn, and Vermont -- were inspired to create a unique electro-soul funk-fusion sound in the basement studios of Brooklyn. Assembling a crew of multi-talented NYC-based musicians, they bridge the gap between dance-inducing DJ-Electronica and the energy of a live band with a full horn section. FutureType's potent sound comes from driving beats laid down by live drums; sharp horn lines; funktastic guitar; soulful vocals; and crisp hip hop verses. In mid-2016 they released their debut EP which received international airplay including spins on Radio Nova (Paris), KCRW (Los Angles), Shine FM (London), CIUT (Toronto) & WBAI (New York). The band also logged serious miles performing at wild dance parties all over New York City, Long Island, and Philadelphia. Now their second EP release showcases a progression of the band's fresh yet maturing electro-soul sound. Band leader Miles Felix music credits run deep with his work producing tracks for the likes of Method Man, Ty Dolla $ign, Melanie Fiona, Big Boi, Talib Kweli and scoring commercial work for Nike, Google, Cartier, and Vice-TV. FutureType's musicians aren't too shabby either having performed with, opened for, and recorded with such artists as Snoop Dogg, Drake, Juvenile, Lil Wayne, GURU’s Jazzamataz, Femi Kuti, Capital Cities, Lee Scratch Perry, Stephen Marley, Medeski Martin and Wood, Antibalas, and more. FutureType is Miles Felix, keyboard/talkbox, singer Chris Bruffee, MC & saxophonist Daniel J Cohn, guitarist J. Cleary, trombonist Eli Chalmer, trumpeter Rachel Therrien, and drummer Kevin Raczka. FutureType's new EP will be released on June 14th, 2019 on NuFunk Records worldwide. THENEWDEAL (LATE NIGHT) Website Facebook Twitter Instagram theNEWDEAL is back Toronto-based live electronic trio returns with new drummer Davide Di Renzo With over 1400 legendary late nights, sold-out clubs and triumphant festivals under their belts, theNEWDEAL returns with a passion in 2019 with ‘TND3’ – the third incarnation of the renowned live electronica trio: Jamie Shields (keyboards), Dan Kurtz (bass), and new drummer Davide Di Renzo. The band’s evolution through three drummers has now brought theNEWDEAL closer to its original direction. “With Davide, it’s a bit like ‘coming back home’, as he was the drummer that inspired our original direction back in 1998 when the three of us played an impromptu gig together in Guelph, Ontario. Each of the band’s drummers has brought something unique to theNEWDEAL, and with Davide we’re reaching back to move forward with the organic-infused improvisation that has long-inspired a big part of theNEWDEAL sound,” explains keyboardist Jamie Shields. theNEWDEAL first began in Toronto in 1999, quickly gaining support from Toronto’s underground club scene as pioneers in electronica, recreating the DJ experience with live, improvised music. Soon the band brought their interpretation of Electro House, Trance, Breakbeat and Drum & Bass to the US, where they were embraced by the crowds at NYC’s Wetlands Preserve and cultivated a loyal following in the American jam scene. After twelve years of touring, theNEWDEAL took a hiatus in 2011; Dan spent much of the next few years touring the world with Electropop band Dragonette. When theNEWDEAL returned to stages in 2014 they brought on board a new drummer in Dragonette’s Joel Stouffer. For three years, Dan, Jamie, and Joel enjoyed another successful round of touring and recording, and in 2017 Joel amicably parted ways to pursue other musical interests. In 2018, theNEWDEAL welcomed drummer extraordinaire Davide Di Renzo into the fold. After several months of shedding in the studio, the band released the first taste of new music in March 2019 with “Halo Drive”, an epic 16-minute live improvised studio jam – recorded and mixed in the moment without any overdubs. The band plans to release more of these live studio improvisations and will be launching a podcast as 2019 continues – plus a long anticipated return to the touring and festival circuit.
  20. SRV said he was the future of guitar playing because he utilized 5 fingers. All this reminiscing is making me kinda sad about Jeff being gone but I love hearing everyone's stories and fond musical memories.
  21. Great to hear this! I gotta go listen to that stuff, Jeff's talents were next level! The list of acts that he played with is incredible, I gotta find a list of it. He was even best friends w/ SRV & BB King !!
  22. November 28, 1991 huge snowstorm that night drove my VW bus full of spun friends up to Lindsay after the show starter was gone on my van, so had to bum start while sliding on all the snow a guy plowing the parking lot saved me that night by plowing a strip, then pushing the VW with his snowplow blade on his truck good times & great show I used to live with Jeff's god mother (Mary) in Toronto, but never got to meet the man
  23. Greg, I have zero recollection of the acoustic set. Maybe Andre will chime in at some point, although he looked three-sheets-to-the-wind at the show? Clearly I was. I have a funny and honest Healey story via my wife, that I've never really shared since I forgot about it. We caught Jeff's jazz band at The Rex (story above), and Vicki is 9-years younger than me, and didn't know much about him outside of knowing he played flashy guitar on his lap, along with his videos. So we are sitting there watching him play cornet, guitar, and interacting with his band and the audience, when she says to me: "Jeff is an odd duck." I said: "What do you mean?" Vicki responds: "Just the way he looks around and moves." I said: "HE"S BLIND!" She goes: "He is?!!!"
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