bouche Posted November 4, 2008 Report Share Posted November 4, 2008 Garaj Mahal November 01, 2008 - Maverick's, Ottawa, ON Show Review By Todd Snelgrove photos: by Mike Bouchard More Live Music photos by Mike Bouchard Recording supplied by Bradm Garaj Mahal pulled in to Ottawa, Ontario for the first time last night capping off what guitarist Fareed Haque referred to as, “a long, arduous tour.†“It’s not the length, it’s the miles,†continued Fareed, as he detailed for the crowd the vast distances covered in the last ten days, culminating in this, their first ever run through Ontario. Strapping on his Ibenez doubleneck SG, Haque and his band launched into Chester The Pester, beginning a set that seemed to jar the modest yet enthusiastic crowd. Atop the solidest of foundations held down by bassist Kai Eckhardt and the ever-changing rhythms of drummer Sean Rickman, Haque dazzled the room with a series of modal fragments that brought both Steve Vai and Philip Glass to mind. It was the undeniable jazz delivery, reminiscent of John McLaughlin and perhaps Larry Carlton, that took the crowd of mostly newcomers to the band by surprise. In a genre where adding a fourth chord can often sink a jam, Garaj Mahal’s overt cerebral approach is a refreshing challenge to an astute audience. google_ad_client = "pub-8241045454770105"; google_ad_width = 250; google_ad_height = 250; google_ad_format = "250x250_as"; google_ad_type = "text_image"; google_ad_channel ="9487450232"; google_color_border = "FCFAED"; google_color_bg = "FCFAED"; google_color_link = "003366"; google_color_url = "003366"; google_color_text = "003366"; //--> Switching down to the bottom neck of his 18-string guitar for the second number, Fareed defines the genre for us, referring to Garaj Mahal as “Jance†music; a blending jazz of and dance. What becomes clear during the groove-oriented Hotel is that it’s keyboardist Eric Levy that brings the jam to the table, providing the fusion between the jazz snobs and Jerry’s kids. While the rhythm section maintained the groove with a steady and subtle morphing that turned out to be their modus operandi, and Fareed Haque comped so heavily he could be mistaken for the soloist, there was Levy sweeping and swirling up and down his instrument in a way that wouldn’t sound out of place at an Allman Bros. show. It wasn’t until the third song that the band finally pulled out a simple two-note riff to bounce around, and it turned out to be a Police cover, When The World Is Running Down, You Make The Best Of What's Still Around. By this time the crowd was convinced. Whether to dance or stare slack jawed was everyone’s prerogative, but all were glad they bought the hype and ventured out for the show, which is just as promoter Brian Carson expected. While definitely on the map as far as stadium shows go, the southern Ontario market is one that is often bypassed by the nightclub circuit. Several years ago Hamilton, Ontario’s independent promoter Brian Carson began working to change that. While feathering his cap with many high-profile bookings from Little Feat to Bela Fleck, Brian has always had his eye on landing one of his favorite bands, Garaj Mahal. And now, after five years of plugging away, Carson’s Clearwater Concerts Canada finally got what it was looking for, tacking a Toronto/Hamilton/Ottawa with support from Jambands.ca (Ottawa) and Nufunk Concerts (Toronto) run onto the end of Garaj Mahal’s ten-day tour. Bringing a band into a new market can be a dangerous proposition for a concert promoter. While Garaj Mahal is a highly respected and well-known entity within the jam scene, these were untested markets for the band. Carson admits that it was only the fact that the run coincided with Hallowe’en that allowed him to break even over the three shows. He’s hoping that word will spread throughout the region after the success of these concerts, and that Garaj Mahal can include the area in future tour plans. Back at Mavericks the second set began with a study in whammy-bar theatrics from Fareed that evolved into Never Give Up, involving a gibberish vocal groove that woke up the over-smoked setbreak crowd with a Zappa-esque treat that descended into an anti-demonic post-Hallowe’en medley. The set touched on a variety of different grooves, even straying close to straight-up jazz with a great rendition of Thelonious Monk’s ‘Round Midnight. After a set featuring stellar playing that hinted sometimes at Joe Pass on speed or the great Lenny Breau here in the shadow of his old stomping grounds, the encore peppered with Rush references solidified a night for the small appreciative Canadian audience. With a crowd that is bound to be talking about the show for while to come and a promoter eager to try his luck with one of his favorite bands again, we can only hope that Garaj Mahal found the Ontario circuit worthy of their future consideration. Set I intro Chester The Pester Hotel When The World Is Running Down, You Make The Best Of What's Still Around[1] We Are The Survivors outro Set II intro Never Give Up > Hallowe'en Medley > Never Give Up tuning 'Round Midnight[2] Tachyonics Alison's Pony Encore Jamie's Jam [1] The Police cover. [2] Thelonious Monk cover. Link to comment Share on other sites More sharing options...
Booche Posted November 4, 2008 Report Share Posted November 4, 2008 I always enjoy your reviws.Darkness falls across the landThe midnight hour is close at handCreatures crawl in search of bloodTo terrorize y'awl's neighborhoodAnd whosoever shall be foundWithout the soul for getting downMust stand and face the hounds of hellAnd rot inside a corpse's shellThe foulest stench is in the airThe funk of forty thousand yearsAnd grizzly ghouls from every tombAre closing in to seal your doomAnd though you fight to stay aliveYour body starts to shiverFor no mere mortal can resistThe evil of the thriller(laughter) Link to comment Share on other sites More sharing options...
Freak By Night Posted November 4, 2008 Report Share Posted November 4, 2008 Good review Velvet.I thought I was the only one who noticed the Rush references! Link to comment Share on other sites More sharing options...
SaggyBalls Posted November 7, 2008 Report Share Posted November 7, 2008 That whammy bar epic wouldn't have worked on anything the same as it did on Fareed's Moog Guitar Moog Guitar Link to comment Share on other sites More sharing options...
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