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bouche

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Everything posted by bouche

  1. How did the union accept the last offer that TOOK away 6 sick days? Now all of a sudden, that is a reason to strike? I don't get it.
  2. Some ideas: Nero in Vegas Nerooo Nero Cruise
  3. 3...2....1..... OLLIE's going to have to crack out his mexican wraster's mask! I can't believe Hull isn't going to be in the shooting schedule! You need some french wrestling fans!
  4. I went to a beni hana once, and it was unremarkable. More show than good food for the price. Now, that doesn't speak for this place, but I would bet that it is very similar because Beni Hana made lots of money on that.
  5. anyone want to go on a taco pilgrimage?
  6. When I put on the 4+ hour evening with kevin, I did not think that I'd be able to finish it. I couldn't stop watching it however. I'd love to see one of these. This is hilarious. http://www.jambands.ca/sanctuary/showtopic.php?tid/250044
  7. bouche

    Neil Young Ottawa?

    we're going to the show.
  8. I think 'ersh is officially the winner of the "who's most bored?" game.
  9. i will be very pleased to see his version of A Day in the Life.
  10. americans think that queue is just a letter of the alphabet.
  11. --- any word on this? ---- ARTiST: Neil Young ALBUM: Sugar Mountain Live At Canterbury House 1968 BiTRATE: 145kbps avg QUALiTY: EAC Secure Mode / LAME 3.97 Final / -V2 --vbr-new / 44.100Khz LABEL: Reprise GENRE: Rock SiZE: 78.22 megs PLAYTiME: 1h 10min 03sec total RiP DATE: 2008-11-28 STORE DATE: 2008-11-28 Track List: 01. Emcee Intro 0:45 02. On The Way Home 2:51 03. Songwriting Rap 3:12 04. Mr. Soul 3:13 05. Recording Rap 0:30 06. Expecting To Fly 2:38 07. The Last Trip To Tulsa 8:35 08. Bookstore Rap 4:26 09. The Loner 4:41 10. "I Used To..." Rap 0:38 11. Birds 2:16 12. Winterlong (Excerpt) & Out Of 1:38 My Mind Intro 13. Out Of My Mind 2:07 14. If I Could Have Her Tonight 2:34 15. Classical Gas Rap 0:40 16. Sugar Mountain Intro 0:29 17. Sugar Mountain 5:47 18. I've Been Waiting For You 2:04 19. Songs Rap 0:37 20. Nowadays Clancy Can't Even Sing 4:43 21. Tunning Rap & The Old Laughing 3:06 Lady Intro 22. The Old Laughing Lady 7:25 23. Broken Arrow 5:08 Release Notes: Now greet the arrival of 'Sugar Mountain- Live At Canterbury House 1968,' another singular installment in the continuing Neil Young Archives Performance Series. On this CD+DVD set, recorded in Ann Arbor, MI, November 9-10, just days before the release of Young's self titled solo debut, one of the greatest singer-songwriters in rock history is heard solo and acoustic at the height of one of the must tumultuous and creative periods ever experienced both in music and culture
  12. Grace Potter and the Nocturnals are playing at Lee's Place in Toronto on Dec. 10, 2008. Enter now for a pair of tickets to see this smoking band from Vermont.If you are anywhere near Toronto, do yourself a favour and enter this contest to win a pair, or get your tickets now at Live Nation This Is Somewhere (Ragged Company/ Hollywood Records) marks the coming of age of the young, Vermont-based rock band Grace Potter and the Nocturnals. To say that this album makes good on the band’s immense promise would be an understatement. While these assertions quite naturally invite skepticism, we respond: “just insert and press 'play'.” The album manifests incredible growth in the writing and singing of 24-year-old phenomenon Grace Potter, who has clearly found her true voice in both respects, as well as the instrumental prowess of the band: Potter on the Hammond B3, guitarist Scott Tournet, bassist Bryan Dondero and drummer Matt Burr. On this remarkable record, they make a glorious racket indeed. The band’s timeless, organic brand of American rock & roll is fully in evidence throughout This Is Somewhere. Potter’s timely and eloquent songs—some of them intensely personal, others politically charged—immediately lodge themselves in the listener’s head (pretty much defining the de rigueur term “sticky”) and bore in deeper with each successive play. This band has something else going for it — Potter’s innate star quality. As critic Jeff Davidson wrote last September in a piece posted on TMZ.com, “…she is easily the most glamorous star to rise from the jam scene, and her million-dollar smile makes her as desirable as any pop songstress. The fact that she’s amazingly talented…makes her even sexier.” Potter and the Nocturnals grew from the roots of rock & roll in what some might call the old-fashioned way; For the first two years, Potter and the band teamed up with friends to run their “Ragged Company” label from her dad’s old sign shop, handling everything from CD graphics to booking the tours. In 2005 they joined forces with indie911 founder Justin Goldberg after reading his music industry book suggesting new artists should tour instead of look for record deals. The group turned down their first label offer and chose instead to sign on with booking agent Hank Sacks, now with Monterey Peninsula Artists, and began playing a countless number of music festivals and opening slots until gradually building great word of mouth. Their sound? They’re a neoclassic rock & roll band possessing bona fide chops, a natural sense of dynamics and a palate containing all the useful colors, and these qualities allow them to stretch out onstage, to riveting effect. Perhaps their greatest asset is the ability to transcend genres, never content to settle into one predefined sound. GPN were once the up-and-coming darlings of the modern jazz and blues scene, receiving incessant comparisons to Norah Jones and Lucinda Williams. Yet their magnetic live shows and dedication to the road earned the band a warm welcoming from the jam-band community, leading to two nominations at the 2006 Jammy’s. At the same time, This is Somewhere is a testament to the band’s true roots – pure rock music. The influence of predecessors The Band, The Rolling Stones, and Little Feat is clear. Still, GPN’s raw passion and uncompromising politics more directly evoke the memory of the great Neil Young & Crazy Horse, whose Everybody Knows This Is Nowhere served as one of the inspirations for the album title. Following those two years of virtually nonstop roadwork on a national scale sharing the stages with such legends as Taj Mahal and Mavis Staples, including a bravura performance at last year’s Bonnaroo Music Festival (“Touring is a big part of who we are,” says Grace), the band has upped the ante considerably on the aptly titled This Is Somewhere. The sessions were conducted in a Los Angeles studio with song-centric producer Mike Daly, who has forged a booming career for himself after coming on the radar as Whiskeytown’s resident multi-instrumentalist; A-list engineer Joe Chicarelli, who joined the project between his co-production of the Shins’ Wincing the Night Away and setting up a Nashville studio for the White Stripes album project; and mix master Michael Brauer, whose credits span from Coldplay’s Parachutes to My Morning Jacket’s Acoustic Citousca. And just like that, this surprising and deeply resonant album lifts Potter and the Nocturnals into the rarefied stratum presently occupied by Wilco and My Morning Jacket—bands that combine a reverence for rock’s rich heritage with a sense of adventure and a need to express something honest and heartfelt. We can’t have too many of those, can we? Welcome to the club, kids.
  13. This kind of shit just should not happen. Why do american's go so APESHIT over SHOPPING and spending money? photos of the stampede
  14. the title of this thread should read: Chinese Democracy != Free Dr.Pepper I did the exact opposite. I BOUGHT a Dr. Pepper and Downloaded Chinese Democracy for FREE!
  15. I'd do it if I had photoshop on this machine.
  16. Sloth is the only guy that I know who's been "IN HIS THIRTIES" for more than 10 years. Happy Birthday Slothy.
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