Esau.

We've been looking forward to this one for a long time!!
 
We will have our new album available at the show.

Buttermilk.
That is all.

All the Dead songs reminds me of the Dead covers project. Since BR seems to have those covered (heh heh), i'll just leave this here...
 
 

Tried to embed video, but no success. Click article url to watch video.
 
 
>> http://sfist.com/2015/05/19/long_lost_1988_jerry_garcia_intervi.php <<
 

Its on both Canadian and American netflix.
 
 
https://www.relix.com/blogs/detail/watch_official_trailer_for_the_other_one_the_long_strange_trip_of_bob_weir
 
 

Its on both Canadian and American netflix.
 
 
https://www.relix.com/blogs/detail/watch_official_trailer_for_the_other_one_the_long_strange_trip_of_bob_weir
 
 

From Dylan's fb page:
 
 

Saw this posted on my fb feed and know there are a few folks here that like his music, so I'm sharin.. (hopefully I won't be sued).
 
http://liveforlivemusic.com/news/listen-to-prince-dance-rally-4-peace-concert/
 
 
 
 
 
 
 
https://soundcloud.com/prince3eg/dancerally4peace

Since Jay brought Lorde covers into it...
 
 
 
 

"The "no-brainer" download of the century."
 
http://bt.etree.org/details.php?id=579267
 
http://bt.etree.org/details.php?id=579268
 
http://bt.etree.org/details.php?id=579269
 
http://bt.etree.org/details.php?id=579274

Hell.  I forgot about this working.
 
Here's my high school jazz band doing Birdland. I'm somewhere in there on guitar. 
 

 
 
And here is Buddy Rich's Big Band doing Birdland.
 

Finally got my 6 pack of limited cognac barrel aged 9.2% Twice as Mad Toms (3000 355 ml bottles made only)  yesterday thanks to a good friend in Bracebridge who picked them up in the fall for me before they were gone. I've been eagerly awaiting their delivery.
 
Most likely sample em when my friend John stops by with his recent batch of homemade smoked venison/pork summer sausage he made this week.
 

Matter of opinion I suppose. Different play styles and all. But fair enough.
 
   
Perhaps its slamming to those who love Phish, but Crosby didn't just suddenly just go off on the band. He was asked his opinion and gave it. I don't know why people ask questions they might not like the answers to. Of course with some folks in fanbases (not unique to just Phish of course) anything other than 'awesome' or something similar is almost always received negatively, more so perhaps when it's from another musician it seems.
 
Anyway, I guess I just find the controversy and level of outrage by some folks I've seen (not so much here, but on social media) over Crosby's comments kind of mind boggling. Everyone is entitled to their opinions of course. I'm passionate about the music I love too. But if I were to get upset over criticism about Bob Dylan, I'd be in a perpetual state of rage. 
 
I get where your coming from though and I'm not trying to be argumentative. It's just how I see it.

A close friend of mine (also a piper) who was a reserve player for the Canadian band, Enter The Haggis has met Red Hot Chilli Pipers a few times dragged me out to a show in Toronto a couple years back. Entertaining band (depends which one you see I suppose). Serious amount of energy, but family type show overall, but still some freaks in attendance. Basically, worth checking out if you enjoy the pipes and they happen to play a fest you're at.

Heard about him being rushed to hospital the other week. Considering his recent mentions of his lung disease taking a turn for the worse it's seems the rumors were accurate. Sad news. I always liked him, on and off Star Trek. 
 
 
Apparently his last post.
 

If so, this is a MUST DOWNLOAD
 
Perhaps it doesnt have the cache it did back in the days when we traded tapes but this one got me a lot of shit. "You have the Third Ball?" was something I read in a letter/email I read as a reply a number of times. Every Phish fan I was trading with axed for it. Many of you Phish fanatic affeciendos have probably listened to this show by now but if you havent I think this one is a great representation of a particularly cool moment in their history. Rather than spread the rumours I had heard when I had a copy on tape, I will copy and paste what is written within the comment section of said show http://bt.etree.org/details.php?id=578335
 
"After finishing most of the rough tracks for their album Billy Breathes in early spring (see TMIPH February 1996 and TMIPH April 1996), Phish returned to Bearsville Studios in May to complete the album. By June, most of the songs for Billy Breathes were tracked and ready for overdubbing and mixing. At Bearsville, the band, Producer Steve Lillywhite, Engineer John Siket and assistant Chris Laidlaw put the polish on their new work.

About that time, Phish decided to play a stealth show at Joyous Lake in Woodstock, near Bearsville. Apparently it is somewhat of a tradition for groups recording at Bearsville to grace the small club with a concert following their work at the studio. The concert was announced on the day of the show, June 6th, with Phish donning the moniker “Third Ball” for the event. The performance at Joyous Lake was small and low-key with the band playing on gear brought from the studio and using the club’s sound system. Chris Kuroda ran the club’s low-fi lighting rig and Paul Languedoc manned the front-of-house mix. In keeping with the relaxed atmosphere of the evening, Paul provided soundboard patches to the few tapers who brought recording gear. New monitor engineer, Mark “Bruno” Bradley ran the monitors that night for his first live appearance with the band. The club was filled beyond its capacity of 200 people by the time the band came onstage around 11 PM. A local band called Juan Hung Low provided support, playing an opening set before Third Ball took the stage. Third Ball performed two sets that night consisting of longtime classics and some material from Billy Breathes. Set one was mostly older material, kicking off with Split Open and Melt followed by Poor Heart and Runaway Jim. Theme From the Bottom was the only selection from the first set that appeared on Billy Breathes. Trey played keyboards for part of Scent of a Mule, which included teases of Eric Clapton’s Cocaine. The tempurature inside Joyous Lake had increased quite a bit by the time the band closed the set with Highway to Hell. Given the crowd and tempurature, an outdoor patio offered a good set-break hangout. Third Ball’s second set kicked off with more classics, including a spirited AC/DC Bag, You Enjoy Myself, Chalk Dust Torture and Stash. The evening’s only debut songs, Waste and Character Zero, punctuated the set. The new songs were pretty raw, with Trey explaining that Waste didn’t yet have an ending. Set two concluded with David Bowie followed by Fee into Sample in a Jar. The encore consisted of Ya Mar and Fire, leaving the small audience energized as they rolled out onto the streets of Woodstock.

The rest of June was occupied with sequencing the album and other pre-mastering details for Billy Breathes. On June 24th the band and Marley did a photo shoot at road manager Brad Sands’ house in Burlington. Later that evening, Fish performed with his band Pork Tornado at Burlington’s Club Toast as the other band members and crew prepared to depart for Europe.

The album was mastered the last week of June at Gateway Studios. Meanwhile, the band and crew headed to Europe for a short tour consisting of some support dates for Santana and a number of headline and festival performances. They would finish touring for the summer with shows in the U.S. culminating in August with their first large outdoor festival, The Clifford Ball."
 

Well, this is gonna be a pricey weekend.  This in my inbox:
 
Congratulations! Your order or at least one of your orders will be filled for the Grateful Dead 50th Reunion performances at Soldier Field in Chicago, IL on July 3, 4, 5, 2015. Your commemorative tickets will arrive in June. Please hold all emails. Check gdtstoo.com for the latest updates. We hope to see you at the shows!
The Crew of GDTS TOO
February 2015 

“The sky was yellow and the sun was blue”
Robert Hunter

Oddly enough, I did, but way better quality versions. (same video after actually playing the video you posted. opps. lol)
 
Grateful DeadMarch 21, 1990Copps ColiseumHamilton, ON 
Video: AUD (Tripod) > 1st GenMaster: JVC Single Tube Camera > 0 Decks > Panasonic AG-7400 > S-VHS MasterTransfer: S-VHS Master > Sony SLV-R5UC > Panasonic AG-7400 > S-VHS 1st GenTransfer: S-VHS 1st Gen > Panasonic AG-7150 > Canopus ADVC-100 > iMac Core 2 Duo > Final Cut Pro 6 > Compressor 3 > .m2v, .aif > TMPGEnc MPEG Editor > DVD Architect 6 > DVD5[NTSC, 4:3, 7.5 & 8.2 Mbs, 720x480, 29.97 fps] Audio: SBD > Cassette Master[LPCM, 1.5 Mbs, 16 Bit, 48 kHz] 
http://www.thetradersden.org/forums/showthread.php?t=108139&highlight=Grateful+Dead+Hamilton
 
Grateful DeadMarch 22, 1990Copps ColiseumHamilton, ON Captured, Edited, & Encoded by Peanut ProductionsSynched & Authored by Brokedown House Productions Video: AUD (Tripod) > 1st GenMaster: JVC Single Tube Camera > 0 Decks > Panasonic AG-7400 > S-VHS MasterTransfer: S-VHS Master > Sony SLV-R5UC > Panasonic AG-7400 > S-VHS 1st GenTransfer: S-VHS 1st Gen > Panasonic AG-7150 > Canopus ADVC-100 > iMac Core 2 Duo > Final Cut Pro 6 > Compressor 3 > .m2v, .aif > TMPGEnc MPEG Editor > DVD Architect 6 > DVD5[NTSC, 4:3, 8.2 Mbs, 720x480, 29.97 fps] Audio: SBD > Cassette Master (TDK SA-X90)Cassette Master (Nakamichi DR-1) > Sound Devices 744T (24bit/48k) > Samplitude Professional v11.03 > FLAC/16All Transfers and Mastering By Charlie Miller May 22, 2010[LPCM, 1.5 Mbs, 16 Bit, 48 kHz] 
http://www.thetradersden.org/forums/showthread.php?t=108432&highlight=Grateful+Dead+Hamilton
 
 
Different torrent, but may be same sourced as above - read post 25 as noted.
 
Grateful Dead 3/22/1990Copps Coliseum, Hamilton, Ontario NTSC 
 
http://www.thetradersden.org/forums/showthread.php?t=89337&highlight=Grateful+Dead+Hamilton

Personally, I just love The Grateful Dead. Fast, slow, in-between, happy or sad. What some corporate owned puppet journalist, haters, or even you freaks here on this forum think doesn't mean shit to me in the end, nor will anything change that for me.
Love, like or hate them, there isn't, never was and never will be, anything like the Grateful Dead, and I fuckin love that.
Cheers.

No worries or explanation required Booche, my post wasn't really a reply directed at anyone in particular. It was simply a declaration washed in bourbon, strong herbals and the warm memories I was having while listening to Hamilton 1990 (first night).

First off, dont get me wrong Esau even thought I am postivie you dont. I fucking love the Grateful Dead. Much like the bulk of this board I consider them my favorite band if not one of my favorites at the very least and the best thing America ever produced within their music scene and I would enjoy debating that with anyone thanks to my bias of that band and love of Americana music.
 
Secondly, to your point Jaimoe, we arent talking about Jerry's lightning runs which were full of creativity and style even when he was flying off the handle. He stradled that space of 'this might completely fall to pieces" while ensuring each note said something. I'm a homer for him and the rest of the band but Garcia was unto himself and will forever be my favorite guitar player thanks to his approach and understanding of what any particular song needed.
 
My earlier comments pointed to wondering how different my life might have been had things not played out in the manner with which they did. I had some huge experiences that made me become the person I am today with regards to life with the good ole Grateful Dead and I am sure Joe Queenan did as well. His opinions seem salient to him based on that article he wrote and if there is another time's forgotten space in which he and I can discuss how we both came to our particular spots I would welcome an engaging discussion on the matter provided egos are left at the door......unless he was just trolling and being a dishonest dick.
 
Once again, if any of you are going to Dead50 then I honestly hope you to have the best show ever. I mean that from the bottom of my heart and I look forward to either a stream I can buy to watch those shows or fall into some money that puts me in the pit within a slumbering stagger to a bed.
 
brother said: My issue is that FAST is very ambiguous and has alot of range in it's meanings.
 
This thread could have ended right there as far as I am concerned Mike. While most folks sat down for a break so that they could end up losing their minds during Drumz our good friend Andrew Brennan would stay on his feet and cook it. I always got a kick out of that.
 

Personally, I just love The Grateful Dead. Fast, slow, in-between, happy or sad. What some corporate owned puppet journalist, haters, or even you freaks here on this forum think doesn't mean shit to me in the end, nor will anything change that for me.
Love, like or hate them, there isn't, never was and never will be, anything like the Grateful Dead, and I fuckin love that.
Cheers.

Personally, I just love The Grateful Dead. Fast, slow, in-between, happy or sad. What some corporate owned puppet journalist, haters, or even you freaks here on this forum think doesn't mean shit to me in the end, nor will anything change that for me.
Love, like or hate them, there isn't, never was and never will be, anything like the Grateful Dead, and I fuckin love that.
Cheers.

Personally, I just love The Grateful Dead. Fast, slow, in-between, happy or sad. What some corporate owned puppet journalist, haters, or even you freaks here on this forum think doesn't mean shit to me in the end, nor will anything change that for me.
Love, like or hate them, there isn't, never was and never will be, anything like the Grateful Dead, and I fuckin love that.
Cheers.

Jan. 30 1969