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bouche

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Everything posted by bouche

  1. Intriguing. Tell me more! explosions, guitar poses, running up and down risers, screeching "Ottawa!", and a dude that climbed one of the speaker towers by the soundboard who got pulled down and escorted out by the cops. A completely different energy than DJ's.
  2. and i did. what a band...what a crowd.
  3. I thought we did this on facebook now.
  4. get all of Episodes at http://eztv.it/
  5. reluctantly in. ask me to name an Iron Maiden song without looking it up on google. don't bother...I can't.
  6. props to security and all staff. super pleasant people everywhere. Had a great conversation with one of the security staffers minding the LMFAO gate. he said they were assholes that only had 2 songs and wouldn't let him take a picture with them. From the conversation both dudes were there, and they were blazing on the bus so that story of a back problem made me think that they're reason for not being a duo was a crock of shit.
  7. I can hear the tears of RobL from here.
  8. Another bonus of Episodes..... John Pankow (Ira from Mad About You) is playing, very clearly, one of the funniest despicable characters ever on television.
  9. Here's an update regarding last year's stage collapse: http://www.ottawacitizen.com/News/Ottawa/Freak+weather+alone+responsible+last+year+Bluesfest+stage/6896031/story.html
  10. The more I watch episodes, the more I love Joey's character. He's just the perfect parody of Joey as a star...
  11. What was opening night attendance last year? The side stages were programmed great and I was happy I didn't have to go near a super crowd at the main stage for anything
  12. On the way out of bluesfest last night, I was completely confused as to why Tiesto was considered live music. It sounded to me like there was as CD playing with really great speakers. This Ottawa Sun commentary made me realize that it wasn't just me thinking that. At the same time, I've seen photos today of a guy on stage with some lights, wearing headphones. So freaking bizarre...and that was on the main stage in front of 16,000 12,000 [source - AD] people. I was impressed by the sound blocking of the museum and likely hill that I couldn't hear a beat of this, and completely oblivious to the super loud party sounds while at the Electro stage watching Grace Potter rock. Although, I did hear that it was unfortunately affecting Billy Bragg at the Sheep stage.
  13. I absolutely loved Grace Potter's set. Full on hair flying rock.
  14. Review: Jay McConnery Photos: Mike Bouchard Fishbone - Ottawa Bluesfest More photos on flickr The Ottawa Bluesfest re-opened its doors this evening to another sprawlingly diverse line-up (some would argue ridiculously so) ushered in with the usual pre-requisite online excitement, rule-changing announcements, back-talk and blah blah blahs. The opening night perimeter did not feature the usual electric mayhem of festivals past, and as I strolled up to the main gate- it seemed that technology was in fact improving the entry process as we gained access quite speedy and orderly.. Stepping onto the main concert pitch to the quirky old school synth psych of Tangerine Dream, I noticed the stage profiles did seem a little bit subdued compared to last year's imploding mega stage, and the angle of the main stage was adjusted to face more Easterly, down river, towards the rock-heavy hamlets of Vanier and Orleans, rather than directly North to mid-town Hull. And almost as if the call had been heeded, there was a bit of a younger, unfamiliar, french-er demographic skipping to the stages, or offering abundant assistance as blue-shirted volunteers. The Melvins - Ottawa Bluesfest My first stop of the night was to catch the Melvins on the Electro-stage. Touring as a scaled back three piece, short a drummer and guitarist though featuring upright bass- they held a large cross section of Ottawa's rock musician community rapt. Buzz Osborne never fails to intrigue listener or viewer with his exceptionally tight sludge-rock delivery and Sideshow Bob like spewing tower of grey frizzy hair; further accomplishing this tonight with the help of a lovely purple wizard's mu-mu. I am not that familiar with the band's catalogue, but certainly respect their contribution as inspiration to some of the more important bands of my generation. I thoroughly enjoyed what I saw at the Electro Stage and moseyed to the new site of the Black Sheep (the old home of the Hard Rock) to catch Akron/Family. Performing as a three piece, to a very small crowd the band worked through a series of very different song types and arrangements showing the abilities of the member on different instruments- showing off some pretty tasty harmony chops. I have seen them play with 7 and 10 members on stage, so was quite surprised to see only the three core members this time around. They began a number from 'Love is Simple' with a call to the audience to offer their favourite bird noises, and with an urgently violent 'Co-co-li-qwa!' I ventured to the River Stage to the opening of Fishbone's set. Grace Potter - Ottawa Bluesfest Fishbone has visited Ottawa a few times over the years usually at tiny venues like Zaphod's or Porter Hall. Gaining their popularity in the late 80s with killer releases 'Truth and Soul' and 'Reality of my Surroundings' and a couple feature spots on the first few Lollapalooza tours; Fishbone has been a working-man's funk-punk traveling freakshow for almost three decades and are still not totally basking in the glory they deserve. To be fair, this may be due to front man Angelo Moore being slightly psychotic, but frankly, that is also what makes him one of the finest, most fascinating on-stage personas and all around musicians I've even witnessed. Fully dramatizing each lyric with reactive 'Huh!s' and accompanying horn-lines on saxophones of every conceivable size and shape- while singing, slapping his theremin and scatting just makes him pretty much my favourite performer to watch. A new 'Anvil' type documentary 'Everyday Sunshine: The Story of Fishbone' has been released and I hope the band is able to keep things on an upward swing as they ride the momentum of it's release. It seemed as though they weren't having a perfect show this evening, but I think they definitely made some new fans with their energetic funk punk. Billy Bragg - Ottawa Bluesfest Way over yonder at the Mainstage, Tiesto lit up the night sky with a wash of colours, decibals and mediocrity. I strolled up to make sure I got a glimpse, and yes, the production value for one of the world's most popular DJ's was not surprisingly, very high. Just like the majority of the young people reacting to the predictable swells and bass drops vibrating the entire core of the city. Far be it from me to judge how kids spend a Wednesday, I went back to the Electro Stage to catch some of Vermont's Grace Potter and the Nocturnals. They kicked ass like a road worn rock band should. Lots of great tones from all the players using cool vintage gear, soaring vocals from Grace and some all-round good rock'n'roll - which is seemingly in pretty short order this year. The band played their tunes with conviction and really drove the groove hard and deep. It was difficult to leave, but I had to see some of Billy Bragg before calling it a night. Billy was typically fighty, and hilarious. More talkative than he's been known to be, he gave us all some great thoughts to take home, as well as some perfectly crafted protest songs to sing as we went.
  15. holy crap. Grace Potter and the Nocturnals need to play a show for us here. Her set was incredible. As for attendance, no line-ups for porta-potties or beer. Easy to move around. It felt right for a music fest.
  16. well, there's a sort of ambiguous tweet on the bluesfest feed: "the trial for cashless is not something you can sign up for...it's being tested in pre-selected areas. Thanks!"
  17. simply.... wow. cashless sounded appealing to me.
  18. god damn!!! Episodes is a great show! Joey has some great moments.
  19. Bad Religion was just announced for Ottawa Bluesfest on July 11th. Backgrounder: L.A. punk rock band, BAD RELIGION, is considered one of the most successful independent punk acts ever, selling over 5 million albums worldwide and charting two singles on the Mainstream Rock charts and seven singles in the Top 40 of the Alternative Songs charts. Along with the lead vocals of band-founder Greg Graffin, Bad Religion's signature three-part harmonies – or their "oozin' aahs” – accompany sophisticated and intellectual lyrics. The band has enjoyed immense international success with three charting singles in the U.K., while "21st Century (Digital Boy)" and "Punk Rock Song" charted in Sweden in 1995 and 1996, respectively. "Punk Rock Song" also charted in Finland and Germany.
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