MarcO Posted November 10, 2007 Report Share Posted November 10, 2007 Link to comment Share on other sites More sharing options...
NewRider Posted November 10, 2007 Report Share Posted November 10, 2007 I love you MarO! Link to comment Share on other sites More sharing options...
SolarGarlic Posted November 10, 2007 Report Share Posted November 10, 2007 Uncle Tupelo, No Depression. Gonna play this one right now! Good call.... Link to comment Share on other sites More sharing options...
Jay Funk Dawg Posted November 10, 2007 Report Share Posted November 10, 2007 BOSS BOSS by Gistowww.myspace.com/gistowassabi Link to comment Share on other sites More sharing options...
SolarGarlic Posted November 10, 2007 Report Share Posted November 10, 2007 New Riders Of The Purple Sage, 10/19/07, Donegal Saloon, Kearny, NJDisc One, I Set01. tuning, introduction02. I Don’t Know You 03. Casey Jones The Bold Engineer04. Lochinvar05. Garden Of Eden, The Last Time, Garden Of Eden06. You Angel You07. Truck Drivin’ Man08. Henry09. Peggy-O10. Louisiana LadyDisc Two, II Set01. tuning02. Minglewood Blues 03. Sunday Susie04. Higher05. Contract06. Death And Destruction07. Crooked JudgeDisc Three, II Set con’t01. tuning02. Rainbow 03. Panama Red04. Any Naked Eye05. Take A Letter Maria06. * Ripplesbd>sbm-1>Sony pcm-m1>cdr, recorded by Steven T.eac>cdwav>traders little helper>flac Link to comment Share on other sites More sharing options...
bradm Posted November 10, 2007 Report Share Posted November 10, 2007 Peter Elkas, 2007-11-03. I'm up to "Paid Back", and it's rock-solid and thumpingly, threateningly, deep. :thumbup:Aloha,Brad Link to comment Share on other sites More sharing options...
Esau. Posted November 11, 2007 Report Share Posted November 11, 2007 Pearl Jam (Eddie Vedder's Demo)Summer 1988Sound:A+tape>?>FLACTracklist :01. One Step Up (B. Springsteen)02. Crossroads03. Believe You me04. Reggae Woman Link to comment Share on other sites More sharing options...
NewRider Posted November 11, 2007 Report Share Posted November 11, 2007 Link to comment Share on other sites More sharing options...
AD Posted November 11, 2007 Report Share Posted November 11, 2007 Fiery Furnaces, Toronto, 2004 Link to comment Share on other sites More sharing options...
Jaimoe Posted November 11, 2007 Report Share Posted November 11, 2007 I'm pleasantly surprised that the late great Junior Kimbrough has a myspace page. He may not be the most famous or influential North Mississippi Delta Blues artist (see: Mississippi Fred McDowell and R.L. Burnside), but he's the best and the scariest. The Black Keys and North Mississippi Allstars wouldn't be here today without him. Enough pontificating; turn this mother up: http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=69258964 Link to comment Share on other sites More sharing options...
NewRider Posted November 11, 2007 Report Share Posted November 11, 2007 Thanks for that link Jaimoe. This is awesome! Link to comment Share on other sites More sharing options...
Jaimoe Posted November 11, 2007 Report Share Posted November 11, 2007 I'm listening to the Once soundtrack, again. Those songs stay with me more than anything released this year or last. Link to comment Share on other sites More sharing options...
Kanada Kev Posted November 12, 2007 Report Share Posted November 12, 2007 (edited) Edited November 12, 2007 by Guest Link to comment Share on other sites More sharing options...
bagochips Posted November 12, 2007 Report Share Posted November 12, 2007 Link to comment Share on other sites More sharing options...
StoneMtn Posted November 12, 2007 Report Share Posted November 12, 2007 Link to comment Share on other sites More sharing options...
Esau. Posted November 13, 2007 Report Share Posted November 13, 2007 Talking Heads w/ Adrian Belew December 1980 "Live in Rome" DVD Pro-Shot Another great show from the Adrian Belew era of the Talking Heads. The filming is much different than the Germany show from the same tour, this is much more in your face and the Italians use many different and interesting camera angles. Source: Direct capture to the harddrive of the May 2005 rebroadcast on Italian TV. PAL format (Native format of original video source) - except for "The Great Curve", which was not included in the rebroadcast. Video Capture/ Restoration/ Remastering: OSKY Productions DVD Authoring: Silver Stallion DVD Production intro psycho killer stay hungry cities i zimbra drugs take me to the river crosseyed and painless life during wartime houses in motion born under punches the great curve Screeshot: Link to comment Share on other sites More sharing options...
hamilton Posted November 13, 2007 Report Share Posted November 13, 2007 Spiritualized, Ladies And Gentlemen We Are Floating In Space. Link to comment Share on other sites More sharing options...
hamilton Posted November 14, 2007 Report Share Posted November 14, 2007 The Soundtrack Of Our Lives, Origin, Vol. 1. Link to comment Share on other sites More sharing options...
Esau. Posted November 14, 2007 Report Share Posted November 14, 2007 Link to comment Share on other sites More sharing options...
hamilton Posted November 14, 2007 Report Share Posted November 14, 2007 Roy Orbison, Sings Lonely And Blue. Link to comment Share on other sites More sharing options...
Esau. Posted November 14, 2007 Report Share Posted November 14, 2007 Link to comment Share on other sites More sharing options...
bradm Posted November 14, 2007 Report Share Posted November 14, 2007 The Canada Day 2007 show at THAT PLACE by LURE. Aloha, Brad Link to comment Share on other sites More sharing options...
Kanada Kev Posted November 14, 2007 Report Share Posted November 14, 2007 http://concerts.wolfgangsvault.com/concertdetail.aspx?id=1275|4791 Miles Davis Tanglewood Lenox, MA 08/18/1970 Tracks: 8 Total Time: 43:31 Miles Davis - trumpet Gary Bartz - soprano and alto sax Chick Corea - electric piano Keith Jarrett - organ, electric piano Dave Holland - electric and acoustic bass Jack DeJohnette - drums Airto Moriera - percussion Other than his appearance at the Isle of Wight Festival later this same month, this Tanglewood performance was possibly the largest audience that Miles Davis had encountered up to this point. His extraordinary band, containing many soon to be legendary musicians, was all deeply immersed in the early experiments into electric instrumentation. This incendiary performance captures Miles embracing a rock dynamic in his music that was more electric, more funky, more rhythmic, and simply more "out there" than anything that had proceeded it. Much of the material performed this night derives from Miles' studio sessions during the groundbreaking In a Silent Way and Bitches Brew album sessions. Because the performance remains one long continuous suite, it allows one to follow the flow and logic of the music over an extended period of time. This continual flow, devoid of announcements identifying the songs, often left critics and some listeners confused, but focused listening reveals that distinct changes are taking place. Miles is thoroughly in control of the musical direction at all times, whether he is in the forefront or not. Miles guides the music back to particular vamps or themes, continually bringing focus to the group improvisations. The swift and agile response of the musicians to Miles' cues and coded phrases is truly remarkable and is a primary reason for the relentless intensity of this music. Apart from the set ending cue of "The Theme," little of this music derives from Miles' jazz period, nor does it fall into the free jazz category that it is so often mistakenly associated with. This music is much funkier, often comprised of deep, one-chord, cyclical grooves that have little in common with jazz. As he had done several times in the past, Miles was forging into uncharted territory and creating a shift in modern music that would influence countless musicians. The audience seemed to recognize and appreciate this and they achieve the rare occurrence of bringing Miles back to the stage for an encore (something that rarely ever happened during this era). The encore, a rather short, focused take on "Miles Runs the Voodoo Down," features Corea playing the main riff like a hard rock musician, with Holland's deep bluesy bass line and the rest of the group's dynamic falling somewhere between Led Zeppelin and Jimi Hendrix - and they achieve this without any electric guitars! While sometimes difficult, often challenging and unquestionably intense, this night's performance is one of the most intriguing of Miles' lengthy career. It's one of those rare performances with boundless depth that continually rewards repeated listening. Link to comment Share on other sites More sharing options...
Ol'Hickster Posted November 15, 2007 Report Share Posted November 15, 2007 Let you down~~ DMB Link to comment Share on other sites More sharing options...
Esau. Posted November 15, 2007 Report Share Posted November 15, 2007 Bob Dylan John Bucklen TapeHibbing, MN, 19581. Friendship In Music 01:21 2. Hey Little Richard 00:29 3. Johnny Cash 00:26 4. A Good Place To Leave 00:45 5. Best Kind Of Music 00:27 6. Talent show at school, Buzz Buzz Buzz (Gray/Byrd) 01:23 7. Jenny Jenny/Ten Million In A Week (Johnson/Penniman/Crew) 00:47 8. Scotty Moore 00:54 9. Blue Moon (Lorenz Hart/Richard Rogers) 00:52 10. Elvis Presley 00:58 11. Bass Player 01:39 12. Echo 00:35 13. Underground Folk Music 00:35 14. Bob Dillon 00:55 Link to comment Share on other sites More sharing options...
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